Wednesday
Apr212010

You The Brand – 101

The point of this and upcoming post will be to design, create, evaluate and ideally optimize your own personal brand. What does that mean – personal brand? For many, it means being an expert within a category; for others, a platform by which one can convey their options, services and products. And some see this brand as the extension of energy and credibility that people should come to expect from you in what you do and say. Yes, of course you've guessed it -- it's all of these things and much more.

We see it all the time. Our friends, family and peers losing their jobs or deciding that it's time to look at something else. For many people, it's recreating who they are: their image, their direction and creating a brand out of themselves. Big "human brands" are easy to spot, especially in America where we thrive on utilizing status as a marketing directive. I'm going to assume you have not amassed a fortune in whatever you do, nor do you have your own PR team(s) and agents making sure that you're positioning yourself for maximum celebrity effectiveness. And therefore you looking to me – King Nobody of the Universe for expert tutelage. LOL, w00t.

Examples of various people (off the top of my head and in no particular order) that are, indeed, brands:

Now, not all of the individuals in that list will subscribe to my advice. More than likely, they have a posse of peeps that do most of this work for them. The point of citing them was to show that people can have a pure brand essence exclusive to a product, service or corporation. But let's start at the beginning before we build your personal empire of status and influence.

Understanding Personal Brand:
Wikipedia says: "A brand is a distinguishing name and/or symbol intended to identify a product or producer. Some people distinguish the psychological aspect of a brand from the experiential aspect. The experiential aspect consists of the sum of all points of contact with the brand and is known as the brand experience. The psychological aspect, sometimes referred to as the brand image, is a symbolic construct created within the minds of people and consists of all the information and expectations associated with a product or service." It goes on further to say, "People engaged in branding seek to develop or align the expectations behind the brand experience, creating the impression that a brand associated with a product or service has certain qualities or characteristics that make it special or unique."

This is a critical seed that you need to identify first – What is the brand impression that you want to bring to people and have the same people take away? While you, 'the brand,' don't [have] to be who you are in the real world, it certainly helps, because the bigger your personal brand becomes, the more people that will anticipate authenticity that you convey to be real and factual. Defrauding this perception is counter-productive and will often lead to facing 'brand protection' issues -- much like Tiger Woods, Jesse James and others letting their personal life/actions overtake their public-facing brand. The more that you are true to what you intend to preach, the easier it will be to manage your self-branding.

One of my former clients wanted to brand himself and his style as that of a hard-nosed, street-savvy business expert. Well, part of that is image, part of that is message and part of this is magic. The magic is the true brand of you. What you can bring to the table that substantiates such claims. Your voice, attitude (or as I say, "raditude") and your engagement are essential keys to delivering that brand. And lastly, if you hate 'playing the game and making nice' with people, then creating a brand for yourself may not be the best path for you.

Uniform:
Image is a part of any brand. On my Twitter account and some posts that show me photographically, you see some dork in a suit. I think it's typical but it's professionally digestible, nonetheless. My real life is cargo shorts, t-shirts and sneakers, but it's important to dress the part; that doesn't, however, always mean a suit. If you're an urban poet, be just that. The expectation of what your audience, client, or vendor is anticipating must be paid off. If the President of the United States made an address in overalls, you'd naturally think something is a miss.

Voice & Messaging:
Simply put, just like your uniform, speak on behalf of what makes you special. Are you a loud personality? Funny? Succinct? Do you speak in bursts or in long sober tones? Watch comedians, musicians, radio personalities and political figureheads. They all carry a unique cadence, personality and flavor to their direction, and thus their self-brand. Remember, it's most importantly it's what you say – be authentic, be trusting and speak with the confidence that you find in any leader or one of expertise.

Expertise:
Here's the core of your brand – your expertise. Even if you choose something as saturated as, say, the music industry, you can have a unique voice, uniform and, ideally, definitive knowledge of the category. Just like corporate brands, you're going to be challenged by your industry. Whether it's a point you're making, the credibility you accrue or the success you create, there will be those that wish to appear better, smarter and therefore a better brand to follow. "People brands" (which I should trademark) are no different than business. Look at authors -- could you see yourself starting to write the next world-renowned sci-fi epic? You certainly can if you're prepared and knowledgeable.

Research You, Project You:
It's incredibly important that you stay current to your industry and expertise. This is done in every conceivable way: magazines, blogs, newsletters, RSS feeds, television, radio, podcasts, seminars, conferences, trade publications, news alerts, Twitter, Facebook and any industry-specific medium that is important to your success. Devour this material on an ongoing basis. To be a brand you must know what, when and how to tell information that is relevant and topical in order to increase your "brand currency" value. It's also incredibly important not to simply regurgitate what you hear from these assorted mediums. You need to take a reasonable amount of time to figure out how things interrelate and, therefore, best work for your audience base.

Social Media and Branding ("Don't Set It & Forget It"):
Now that I've beaten in your head how all the elements of branding need to be consistent and within the same voice, you need to follow through. Once you've become conversation extending your personal brand you must continue to do so. With that said, don't come out of the gate with a constant funnel of topics and then run out of things to say in three months and then not go out and speak for six! MAKE OPPORTUNITIES to extend your position and viewpoint while staying humble and open-minded. In short, tweet, blog, Facebook, YouTube with consistency. Don't let internet traffic discourage you. Remember, it's more important to reach out to the few that ARE following you than to WISH you had more following you.

Networking, Extensions & Support:
Linkedin groups, blogs, professional associations and general networking is becoming increasingly important to make. Beyond simply utilizing them for meeting and creating relationship, your involvement also increases your credibility, or what I like to call "Brand Currency" – I so need to ™ that.

Self Starter – Learning Center:

Tuesday
Apr202010

No Good Deed Ever Goes Unpunished

Having been on the all-star crew of advertising minds that put together Audi's "The Art of the Heist" it's interesting to see not only bigger stars and more money being thrown at a "story based campaign" but that it's also for the same car company! This month Audi unfolded a dreamy spy-like thriller trailer to launch their new A1 model, we'll have to wait and see just where they take us next. Stay tuned...

Monday
Apr192010

The Wolfpack

So before I'm off to see one of my favorite bands The Black Keys I reflect on 'The Wolfpack' toast. Cheers.

hangover speech sound bite
Monday
Apr122010

Exploding Noir At 2,000 Frames Per Second

“The idea for Nuit Blanche came from the notion of having a special moment with a total stranger, which happens to everyone, especially in a large metropolitan city. It lasts for a split second, then things get awkward, so we turn away. I wanted to take that moment of attraction and stretch it in a hyper‐real fantasy where things unfold like slow-moving photographs.”

The making of:

Directed by:

Arev Manoukian

Technical Specifications:

Cameras:
DVCPRO HD camera for the 24 frames-per-second live-action shots; high-speed Photron APX for slow-motion sequences filmed at up to 2,000 frames per second.

Effects:
“For 3-D we used Maya and mental ray, 3ds Max and V-Ray,” Manoukian says. “For compositing, we used After Effects. The matte paintings were done in Photoshop and mapped in 3-D.”

Editing:
Adobe Premiere

Computer:
First-generation dual‐core Athlon running Windows XP.

Read More

...

While this is not the first time I've seen this effect. I saw something greatly similar (as well as the car compression effect) in the movie Constantine. See the following clip and run up to about three minutes in and you'll see what I mean. While most of the film was a bit of a turd this culmination of visuals and effects was pretty phenomenal for 2005. Not taking anything away from Nuit Blanche which in my humble opinion is beautiful as a short film and is highly impactful.

Friday
Apr092010

...Advertising Really Sucks – Introducing The iAd

From Apple's Site:
iAd is a breakthrough mobile advertising platform from Apple. With it, apps can feature rich media ads that combine the emotion of TV with the interactivity of the web. For developers, it means a new, easy-to-implement source of revenue. For advertisers, it creates a new media outlet that offers consumers highly targeted information.

So many of you are asking me my thoughts on the iAd. As and advertiser, gadget freak and creative dick, I'm as excited as a larper with a new set of crystal dice! Of course you cannot make too much fuss over the new advertising platform that will be built into the new iPhone OS Version four. Given that you did you'd be explaining to the world that not only do you hold the magic ticket to the future of 'interactive advertising' (which I'm dying to coin some stupid mash-up for like "adverteractive" or something equally as moronic) but that the potential money made the platform will be insane. You would also be telling the world that the snake oil that we sell in advertising will not only be more engaging but it might give the advertising brand more than a nanosecond to capture you're attention. It's a slippery slope, people don't want to sold on anything anymore. Word-of-Mouth, ratings and reviews are the trusted sensei of the selling world. Everyone now rebells against being hit-up on my marketing. But that could change.

Jesse Schell goes on a nightmarish tale of how the neo-world is a complex matrix of gaming and data capture. While somewhat far fetched, I don't (much to the chagrin of some of my readers) think the guy's a crackpot. Besides the fact that Jesse might want to consider decaf as an option, he does outline ad nauseam our obsession with rewards and competition.

What does this mean Justice? Get to the point!

The point is that iAds put people in an engagement arena that doesn't feel like traditional forms of marketing. There's movement, animation, game-play, data-capture, incentivizing and potentially... rewards and competition. Why should advertisers care? Simple – the iAd mobile platform, which Steve Jobs said had the opportunity to make 1 billion ad impressions a day on tens of millions of Apple mobile device users – including the iPhone and the iPad. Like it or not it's the most complete way to advertise within one space ever assembled.

Steve Jobs says of Apple new service:

“Well, we’ve got a lot of free apps — we like that, users like that, but these developers have to find a way to make some money, and we’d like to help them...What some of them are starting to do is put mobile ads in their apps… and most of this advertising sucks. We want to help developers make money with ads so they can keep their free apps free.

On a mobile device, search is not where it’s at, not like on the desktop. They’re spending all their time on these apps — they’re using apps to get to data on the internet, not generalized search...

The average user spends over 30 minutes using apps on their phone. If we said we wanted to put an ad up every 3 minutes, that’d be 10 ads per device per day — about the same as a TV show. We’re going to soon have 100m devices. That’s a billion ad opportunities per day!

...This is a pretty serious opportunity, and it’s an incredible demographic. But we want to do more than that. We want to change the quality of the advertising. We’re all familiar with interactive ads on the web. They’re interactive, but they’re not capable of delivering emotion."


Other Important items of note:

  • Apple will offer developers 60% of ad revenue, and will sell, host, and deliver ads itself.
  • This comes on the heels of Google purchase (well $750,000,000 shares) of their ad network previously called "AdMob".
  • Advertising is completely new revenue model for Apple.
  • iAd platform will not have as broad a base limiting itself to Apple products (running the iPhone OS) the iPAd, iPod Touch and iPhone.
  • iAd requires HTML5 for animation as Apples refusal to adopt Adobe Flash will seemingly never end.
  • Targeting and measurement systems remain to be seen.
  • While speculation on my part, the iPad apps right now are somewhat expensive in comparison to what we've seen in the iPhone app world. Therefore, it's reasonable to assume that the iAd model will also be costly for the advertiser at least until normality sets in – say a year.
  • What does this mean for the Apple OS?


Lastly, I leave with a question I will ponder for some time. What does it mean when you pour the advertising world into the hands of developers? Like it or not we will see!

Great related article since this post:

"Apple Introduces iAd: All iPhone 4.0 Roads Lead to Advertising"

Thursday
Apr082010

When Old School & New School Collide

The video was created by Patrick Jean from the Paris-based special effect studio One More Production, and is simply nothing short of fantastic. It depicts the destruction of the earth by "pixel" and while we all know the earth will be destroyed by zombies and robots it is fascinating to see someone elses interpretation. Enjoy!


PIXELS by PATRICK JEAN.
Uploaded by onemoreprod. - Arts and animation videos.